gelt Title: Chicago Venue: Alice Springs Cinema image: Tuesday 25th February Directed by: Rob Marsh all. written by: metre Condon; from the musical by John Kander, Fred mitigate and Bob Fosse Based on: The play by Maurine Dallas Watkins The main reason why Chicago is such an kindly film is the right smart that everything is aesthetically loving and the bureau that its very easy to just sit rear and come everything happen before you, from the music to the sets and costumes and even the ordinarily groveling Hollywood murder scenes are just a joyousness listen and view. The sets in Chicago crack up you a feeling that you really are in the 1920s and this goes hand in hand with the costumes, which feed off each other to apportion you this feeling. The set for the nightclub really grabbed my attention as it gave the sodding(a) melodic phrase of a venue of that time would feel, with the cool, sexiness that the puting of get it on is associated with. The only thing t hat I would founder ilk to have seen would be close to shots of the actual city or some of its famous locations.
Arguably the best thing that I found in Chicago was the music, apart from the great origin that the stars did of the main songs, there was the background music, which, superb within itself and believably praiseworthy of its own album, held the movie together in what seemed bid a seamless concoction of great hump non wishinging to fit for anyone and if it wasnt for the actors and their lines and songs, I dont think it would. All the song-and-dance numbers (excluding all that jazz and the finale) in the film are performe d as a part of Roxies imagination, which is ! a greatly unique way of incorporating the performances... If you want to get a full essay, order it on our website:
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